Overview
"My practice looks to create fantasy worlds that sit between utopia and dystopia, creating a space that is beyond the realm of the viewer's reality." - Anna Woodward
A space where biomorphic forms grow freely yet there is still evidence of the human made. Anna works predominantly in oil on linen, working in a series of layers to create intensity, perspective and depth. Being particularly interested in ways of painting and drawn to contemporary artists such as Julie Curtiss and Jane Hayes Greenwood, whose practices sit between the surreal and the skill of the artist. Working in a series of layers that are broken into different painting languages, from the loose washes of oil paint, to highly rendered and voluptuous biomorphic forms that snake their way around the painting, and metallic rods that are engulfed by the biomorphic forms. All of these aspects come together to create an overgrown and wild world. Furthermore, there is an aspect of obsession and repetition in the way that Anna approaches painting and her subject, evidenced through the repeated motifs and finite detail found within the work.
Biography
Anna Woodward (b.1998) is a London-based artist and curator, she studied BA and MA Fine Art at City and Guilds of London Art School, finishing in 2022. 
 
Selected recent group exhibitions include: Tomorrow, is Tomorrow, is Tomorrow, (Kristin Hjellegjerde Gallery, London, 2023), Second Expression, (The Split Gallery, London, 2022), I’ll Be Your Mirror curated by Mark Connolly, (Boisdale of Bishopsgate, London, 2022), The Reality in Whytch you Create, (STUDIO WEST, London, 2022), With Love, II curated by Mark Connoly, (Paint Talk, Online, 2022) and Into the Cosmere, (Brushes With Greatness, London, 2022). Recent selected solo exhibitions include: A Cloned Realm, (Galeria Duarte Sequeira, Braga, Portugal, 2023). 
Exhibitions
Works